國立臺灣師範大學民族音樂研究所

系所成員

職稱：副教授

姓名：張海欣

E-mail：jhcheung@ntnu.edu.tw

聯絡電話：02-7749-5447

授課領域：音樂哲學導論、東西音樂比較研究、古琴音樂與文化、東亞音樂與現代性

研究專長：中國音樂現代性有關的相關研究，集中於兩戰時期。題目包括“音樂”領域的興起與譯介現代性（兩戰時期上海）、崇高審美文化、古琴聆聽實踐。其他題目包括古琴“遊”的實踐與民族音樂學理論的對話，以及歌曲文化（中國及以外地區）。

期刊論文：

期刊論文
研討會論文
專書 / 專書章節
研究計畫
其它出版品

年度	論文名稱
work in progress	“‘Master, You Have Enlightened My Emotion!’: Agency and the ‘Play’ of a Qin Culture in Hong Kong.” To be submitted to Journal of Ethnomusicology by December 2025.
2024	Preliminary Examination of Datong Music Society Musical Instruments Archived at Deutsches Museum in Munich, Musical Arts (Shanghai Conservatory of Music) (August 2024)
2023	Making Chinese Instrumental Relics in Pre-UNESCO Modernity Datong Music Society’s “Heritage” Project, Journal of Music Research, 39 (2023): 1-54
2021	‘Yuesheng Shengnian 樂生聲年 / Those Days @ THE Confucius Temple’, “Yearbook for Traditional Music 2021”, Vol. 53, International Council for Traditional Music, (2021/12): 195-199. (A&HCI)
2015	"Riding the Wind with Mozart's 'Jupiter' Symphony: The Kantian and Daoist Sublimes in Chinese Musical Modernity" Music & Letters, 96.4 (2015): 534-563.。
2015	"Ear-Pleasing or Not: Listening to Qin Music in Shanghai during the Interwar Period", Journal of Music Research, 23 (2015): 73-115
2015	中國音樂現代性裏的分歧與聯繫：在殖民時期興起的音樂與網絡（1919-1937），林學忠, 黃海濤編，《城市研究論文集》，香港：中華出版社，2015，頁233-263。
2014	Response to Ananya Kabir, ‘Oceans, Cities, Islands: Site and Routes of Afro-Diasporic Rhythm Cultures。Atlantic Studies: Global Currents(125-127)。(2014/11)。
2012	"Divide and Connections in Chinese Musical Modernity: Cases of Musical Networks Emerging in Colonial Shanghai, 1919-1937", Twentieth Century China 37.1 (2012): 30-49.
2010	“Introduction” in Cheung and Wong, eds., Reading Chinese Music and Beyond, 1-8, 2010.
2010	"‘The North Wind Blows:’ Sounding Bitterness in The White-Haired Girl, a Communist Political Ritual,” in Cheung and Wong, eds., Reading Chinese Music and Beyond, 87-119, 2010.
2010	Singing Ancient Piety and Modernity in “Song of Familial Bliss” (1935): Musical Translation of Huang Zi (1904-1938) in Interwar China, Asian Music 41.1 (2010): 4-58.

年度	論文名稱
2024	“Locating the Elusive Folk/Populaire in Modern Chinese Art Song Culture, 1920s-1930s.” Invited and referred symposium paper, The Promotion of Chinese Culture and Arts, 1930-1950, around the Geneva Bibliotheque Sino-Internationale, Geneva University of Music (HEM) Geneva, SWITZERLAND, April 13, 2024
2024	“Against the ‘Economy of Means’: the Forgotten Art Songs of Mrs. S. M. Woo (Hu Zhou Shu’an胡周淑安, 1894-1974) and their Challenges.” Invited conference paper, 20th Century Global Art Song Congress, Hochschule für Musik Freiburg Freiburg, GERMANY, March 14, 2024
2022	‘Composition, Commentary and Collegiality in the Translated Modernity of Early Chinese Art Song’, “7th Symposium of the Study Group on Musics of East Asia”, Online, 2022/05
2019	The ‘Play’ of the Chinese Qin Practice。Musicology or Ethnomusicology? Discussing Disciplinary Boundaries in Non-Western Art Music，英國。2019/03/22
2019	The ‘Play’ of the Chinese Qin Practice。Musicology or Ethnomusicology? Discussing Disciplinary Boundaries in Non-Western Art Music，英國。2019/03/22
2018	‘The “Play” of the Chinese Qin Practice and Ethnomusicological Theory’, “Annual Meeting of the Joint Taiwan Musicology Society and Taiwan Musicology Forum”, Taiwan, 2018/11
2017	Art Songs in China。20th Congress of the International Musicological Society, Tokyo 2017，日本東京。(2017/03/19-2017/03/23)
2017	Art songs in China。Symposium: The Art Song and Musical Modernity in East Asia and Australia in the First Half of the 20th Century，日本京都。2017/03/26
2017	Ancient Piety in a Chinese Art Song: Musical Translation and Filmic Use of a Work by Huang Zi。Symposium: The Art Song and Musical Modernity in East Asia and Australia in the First Half of the 20th Century，日本京都。(2017/03/26-2017/03/26)。
2015	Pleasing the Ears Not: Music and Guqin Listening of Interwar Shanghai.。Invited paper at the First Youth Forum on Hong Kong Guqin Studies，香港。(2015/06/05-2015/06/06)
2014	'Ride the Wind' with Mozart’s 'Jupiter' Symphony: Kantian Sublime and Daoist Sublime in Chinese Musical Modernity。At China Interdisciplinary Lunchtime Seminar，香港。(2014/04/15)
2014	(2014/08/01-0000/00/00)。The Musical Sublime of Chinese Modernity: New Aesthetic Choices and Huang Zi’s Musical Sounds (1930s).。Conference of the Study Group for Musics of East Asia (MEA), International Council for Traditional Music (ICTM)，日本奈良。
2014	Building the Chinese Musical World from the Colonial Shanghai Archive.。At Laon Laon Workshop & Conference on Preserving and Cataloguing Music Cultural Heritage in Asia，菲律賓。(2014/10/14-2014/10/16)。
2014	Building the Chinese Musical World from the Colonial Shanghai Archive。Colloquium，香港。(2014/11/25-2014/11/25)
2013	China Needs Lofty and Grand Music: The Sublime in Chinese Musical Modernity.。At Music Colloquium, Department of Music，香港。(2013/03/01)
2013	“Making Chinese Film Music in Colonial Shanghai (1930s): Unprecedented Sounds and Networks in Modernity.。World Conference of the International Council for Traditional Music (ICTM),，Shanghei。
2012	Making Sounds of Harmony: ‘Silk and Bamboo’ Music and Chinese Modernity Politics in Shanghai.。At Confucius Institute, University of Michigan，美國。(2012/02/01-2012/02/02)
2012	Contending Harmony: ‘Silk and Bamboo’ Music and Chinese Modernity in Interwar Shanghai.。At School of Music and Center for，美國。(2012/02/01)
2012	Traditional East Asian Musics in Transcultural Colonial Settings.。ICTMMEA Symposium，香港。(2012/08/01)
2012	“Peking Opera Music and Chinese Modernity in Colonial Shanghai: Some Preliminary Observations.。Conference of the Study Group for Musics of East Asia (MEA), International Council for Traditional Music (ICTM)，香港。(2012/08/01)。
2012	Western Musics and their Local Interactions in Colonial and Semicolonial East Asia.。ICTM-MEA Symposium，香港。(2012/09/01)

年度	書名
work in progress	“The Rise of Music in Chinese Modernity: Sounds, Aesthetics, and Tensions in Shanghai, 1918-1937.” Book proposal and sample chapters to be submitted to Cambridge University Press.
2023	Composition, commentary and collegiality in the translated modernity of early Chinese art song。The Art Song in East Asia and Australia, 1900 to 1950。英國：Routledge, ISBN: 9781032321622。(2023-3)。
2023	Art song as lyrical modernity in colonial and postcolonial contexts: listening to each other’s songs。The Art Song in East Asia and Australia, 1900 to 1950。英國：Routledge, ISBN: 9781032321622。(2023-3)。Co-author: Alison Tokita
2019	Confucianism。The SAGE International Encyclopedia of Music and Culture。美國：SAGE Publications, Inc.。ISBN：9781483317755。(2019-5)。
2019	Translation。The SAGE International Encyclopedia of Music and Culture。美國：SAGE Publications, Inc.。ISBN：9781483317755。(2019-5)。
2017	Music。Encyclopedia of Chinese history。英國：Routledge。ISBN：9780415426992。(2017-2)。
2010	Reading Chinese Music and Beyond(1)。香港：Hong Kong: Chinese Civilisation Centre, City University of Hong Kong。ISBN：9789624423297。(2010/01)

計畫類別	年度	計畫名稱	參與人	職稱/擔任之工作	計畫期間	補助/委託或合作機構
研究計畫	2022	民國中國的音樂建造與中國現代性(3)─中國樂器文化、遺產發明、與外交世界主義	主持人	2022/08/01 ~ 2024/07/31	國科會
研究計畫	2020	民國中國的音樂建造與中國現代性(2)─二十世紀初的藝術歌曲、世界主義、與跨文化視角	主持人	2020/08/01 ~ 2022/07/31	科技部
研究計畫	2018	民國中國的音樂建造與中國現代性(1)─音樂、德性、與競爭在上海，1918-1937。(MOST 107-2410-H-003-105-MY2)	主持人	2018/08/01 ~ 2020/07/31	科技部

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